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AudioSD9W CORE 2 Digico Console Waves Ready 96in/48ou 24 Faders RJ/BNC

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VERSION WAVES READY DE LA SD9
Digico SD9 shall have 24 faders split into 2 worksurface sections, each with 4 banks and each having 3 layers. These can be assigned to control any of the channel types. The console shall be capable of 96 input channels, 48 Aux/Sub-group Busses, a LR/LCR Master Buss, 12 VCA style or mute group style Control Group channels, 2 Solo Busses, and a 12 input x 8 output full processing Matrix. All processing paths shall have full processing including Tube emulation, Dynamic EQ and Multiband Compression. Tube emulation, Dynamic EQ and Multiband Compression shall be available on every channel and Buss on the console. AllA processing shall be internal and FPGA-Based. An internal FX rack with 12 stereo slots shall allow users to pick from 34 different FX. An internal set of 16 32-band GEQs shall also be accessible. A 15” (38cm) LCD high-resolution touch screen shall be provided to show either channel strips for the left worksurface, channel strips for the right worksurface or the Master screen. The view selection shall be controlled with physical buttons on the worksurface. There shall also be a physical control on the worksurface to control the master level so that it can be accessed at all times. Physical controls on the master section of the worksurface shall allow control over some snapshot functions, control over basic Solo functions, and there shall be a dedicated hardware channel strip to the right of the touchscreen, allowing control over filters, EQ, dynamics and insert points. 7 quick select buttons shall be on the master section to allow easy reassignment of the underscreen rotaries. There shall also be 8 user-assignable macro buttons on the worksurface. The user shall also be able to program macros that can be triggered with fader movements, GPI, MIDI and keyboard function keys. The rear panel shall have 8 Mic/Line inputs, 8 line outputs, 2 AES/EBU inputs (4 channels) and 2 AES/EBU outputs (4 channels). It shall also have 2 Ethercon ports for connections to D-Racks, one set of MADI I/O for connections to MADI devices, and external Workclock I/O. The other connectors on the rear of the console shall be 2 GPIs, 2 GPOs, MIDI In, Thru and Out, 2 USB ports, a VGA port, an ethernet port and two ports for external lights. There shall be a Waves SoundGrid option providing 64 inputs and 64 outputs to the SoundGrid Network at 48kHz and 96kHz. There shall also be an Optocore option, providing 504 additional audio paths at 48kHz and 96kHz. The Optocore connector type shall be chosen from HMA, OpticalCon or ST. The Optocore Mode shall be chosen from MultiMode or SingleMode. There shall be a Theatre Software option that shall provide Auto Update, Aliases, Players, Advanced CG programming tools and Matrix nodal delays. There shall also be a Broadcast Software option available that shall provide Surround Busses, a Monitor Matrix, Backstop PFL and Mix Minus Busses.
96 Input Channels (Mono) • Main & Alternative Input • Analogue Gain • Phase Inversion Control • Gain Tracking • Digital Trim (-40dB to +40dB) • Variable Delay (0ms to 1.3s) • DiGiTube • HPF/LPF (-24dB/Oct) • 4 Band Parametric EQ / Dynamic EQ • DYN 1: Compressor, Multiband Compressor, Desser • DYN 2: Gate, Duck, External Input Compressor • EQ/Dyn Order Control • 1 Insert Point per Channel • Channel Mute & Hard Mute • Channel Direct Outputs 48 Aux/Sub-Group Busses • Phase Inversion Control • Digital Trim (-40dB to +40dB) • Variable Delay (0ms to 1.3s) • DiGiTube • Merge Input • Tone Generator • HPF/LPF (-24dB/Oct) • 4 Band Parametric EQ / Dynamic EQ • DYN 1: Compressor, Multiband Compressor, Desser • DYN 2: Gate, Duck, External Input Compressor • EQ/Dyn Order Control • 1 Insert Point per Channel • Channel Mute & Hard Mute 1 LR/LCR Master Buss (with full processing) 12 Input x 8 Output Full Processing Matrix 12 Control Groups (CGs) 2 Solo Busses 16 x 32-band GEQs 12 x Internal Stereo FX Processors • Delays • Audio Enhancer • Choruses • Pitch Shifters • Reverbs DiGiTubes available on every channel and Buss Dynamic EQs available on every channel and Buss Multiband Compressors available on every channel & Buss Virtual Soundcheck
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