The DX7, a classic FM synth, gets a make-over with three significant updates. The updated models feature a more sturdy chassis with actual push-buttons replacing the cheaper and less reliable membrane buttons of the original DX7. The two real time sliders (that allow for control of user-programmable parameters in real time) are larger than before. Internally, the biggest improvement is the updated 16-bit digital circuitry for cleaner and much less noisy sound quality. Patch memory has also been doubled from 32 to 64 voices. Additional general improvements include enhanced MIDI support, micro-tuning capabilities, aftertouch controlled pitch bending, and multiple LFOs.
The DX7IID and DX7IIFD (pictured) models also added bi-timbrality with keyboard split and layering capabilities. This allows two voices to be layered in dual mode, providing very rich combinations of sounds that would otherwise be impossible with the original DX7. Voices could also be split across the keyboard, for a two part multi-timbral performance capability; again, impossible with the original DX7 (or the DX7S, as the S stands for single timbre).
The DX7IIFD added a Floppy Drive (that's what the FD stands for) offering one megabyte of memory space (equal to 40 RAM cartridges) for thousands of voices, fractional scaling, SysEx data and more.
Polyphony - 16 voices (8 voices in Dual mode)
Oscillators - FM Tone Generator (6 operators and 32 algorhythms)
LFO - Sine/Square/Tri/SAW up/SAW Down/Random
Filter - None
VCA - 6 Envelope generators 8 parameters each
Keyboard - 61 keys, Velocity and Aftertouch
Memory - Internal: 64 voices/32 performances, external: 128 voices/64 performances
Control - MIDI IN/OUT/THRU
Weight - 23 lbs. (10.5 kg)
Date Produced - 1986 - 1989
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